Jeff Moorfoot's Gallery
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Lublin, Poland, 2025
Negrar, Italy 2024
National Gallery of Victoria, Ian Potter Centre, Melbourne, Australia 2023
Treviso, Italy 2024
Images of rusted metal made in Daylesford, Victoria, Australia and on a trip to the South Island of New Zealand in early 2025.
Benetton Museum, Treviso Italy, 2024
Camera-less image made on a flatbed scanner. Artifact comprises around 20 images and has been shown in the main program at the Shimmer Photo Festival, Adelaide, SA and in China.
The remains of a dead Crimson Rosella parrot. A camera-less image made on a flatbed scanner, Lyonville, Vic, Australia 2016
Photograph of the Ancient theatre, circa 1590, Sabbioneta, Lombardy, Italy, 2023
Camera-less image made on a flatbed scanner. An early example of the technique made while running a workshop and exhibition at Manning Clark House, Canberra, ACT, Australia in 2014
Camera-less image made on a flatbed scanner. An early example of the technique made while running a workshop and exhibition at Manning Clark House, Canberra, ACT, Australia in 2014
Railway station view, Osaka Japan 2025
landscape photographed in New Zealand South island in 2025
Kalwaria Zebrzydowska, Poland, 2025
Chairperson of the Ballarat International Foto Biennale from 2005 to 2009. Portrait was shortlisted in the Portrait Prize at the HeadOn photo Festival, Sydney, NSW, Australia in 2010
Sheep grazing, New Zealand South Island, 2025
Studio still life shot on 5X4 transparency, 2000
Kitano Tenmangu Temple garden, Kyoto, Japan, 2025
Lyonville, Vic, Australia 2024
Conceptual studio portrait, 1999
One of the few commercial images I still show from my early days as an advertising photographer in Melbourne Australia. The image was shot in the studio on 5X4 transparency film.
Camera-less image made on a flatbed scanner. A mis-formed vegetable from my garden in Lyonville, Vic, Australia, 2018
Centre for the Meeting of Cultures, Lublin, Poland 2025
I photographed the seed pods on a sheet of textured paper with B+W neg, made a print, placed the seed pods on the print and re-shot on 5X4 transparency.
photographing the exterior of the Centre for the Meeting of Cultures, Lublin, Poland 2025
Conceptual personal work, 2018
Portrait of wheelchair racer Lachlan Jones for a fundraiser to send him to the Sydney Paralympics in 2000. Image is multiple exposure shot in studio on medium format transparency. 2019
Krakow, Poland, 2025
Camera-less image made on a flatbed scanner of mis-formed and withered parsnips from my vegetable garden in Lyonville, Vic, Australia. The series has been shown many times including photo BoaHe Festival, Hefei, China in 2018
Back where the red shoes series began in 2007. I was taking a workshop along the famous Great Ocean Road in SW Vic, Australia, and was encouraging my student group to look at new ways of seeing. This is a variation on David Hockneys joiner photographs. Every new city I have visited since then I try to make another Red Shoe image, and the shoes have become a bit of a signature.
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